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Week 6 | 52 Rolls in 52 Weeks

Pioneer Square, Seattle

After leaving a meeting with NBIS last Thursday I took a brief stroll through Pioneer Square in Seattle. There I met Jim and Deborah, both exhibiting work for First Thursday. Until I asked what they were set up for, it hadn't dawned on me that this was the first Thursday of the month. Even worse, although I often work in Pioneer Square, I've never take then time to explore any of the galleries, tents, etc. There were some really interesting people and a couple of good conversations were had.

Deborah sits with people and draws stories in 90 seconds or less. She asked me what my favorite animal was. I replied the mongoose because it's small and unassuming, but stands up when it needs to. In 90 seconds I was handed a signed piece of art with a personal story. Thanks Deborah! I'll be making it a point to enjoy the First Thursdays from now on. 

I saw a lot of people posing with this sculpture. I have no knowledge of the history of it, but found it interesting. Image captured with Mamiya 645 AFD II with Kodak Portra 400.

Deborah sketching the mongoose. I later learned from her that she is full-blooded Blackfoot and has work in galleries all over Seattle. Never know who you'll meet when you take the time to do so. Image captured with Mamiya 645 AFD II with Kodak Portra 400.

Jim and Deborah posing with the newly minted sketch. Image captured on Mamiya 645 AFD II with Kodak Portra 400.

The final piece by Deborah. Now I just need to find the appropriate frame for it. Image scanned with Epson Perfection V500.

Week 5 | 52 Rolls in 52 Weeks

Week 5 | 52 Rolls in 52 Weeks

Belltown, Seattle, WA

When I first started this project, I knew I would want to revisit some of my favorites scenes I shot digitally. Last week, I went back to Belltown, Seattle where I made a picture of the railroad tracks just south of Bell Street on Western Ave. The thing that drew me to it the first time (about six months ago) was the contrast between the human-made structures on one side of the “tracks” juxtapose the trees on the other. Not only was it interesting for composition, but I feel it is a reflection of much of society. This time I made one exposure facing north and one exposure facing south. I actually caught the train coming towards me while I was facing south (the bright light in the center of the frame). Hey, anything to get the shot, right?

Seattle Tracks. Facing South. Image taken with Mamiya RB67 + Fujifilm Acros Neopan 100 and developed in Ilford Ilfosol 3.

Seattle Tracks. Facing North Image taken with Mamiya RB67 + Fujifilm Acros Neopan 100 and developed in Ilford Ilfosol 3.

Image taken with Mamiya RB67 + Fujifilm Acros Neopan 100 and developed in Ilford Ilfosol 3.

Week 3 | A Year on Film: 52 Rolls in 52 Weeks

Week 3 | A Year on Film: 52 Rolls in 52 Weeks

Magnolia Bridge, Seattle, WA

For week 3, I ventured back to the Magnolia bridge. I spent the first 4 months in Seattle traveling over this bridge daily. I always thought it provided a great view of Seattle, and the land beneath it intrigued me as well. There is a soccer field, and a marina, but I never really found (took) the time to explore it. With camera in hand, I finally had a reason.

One of my favorite things about shooting on film is the wait. When I made these exposures the other night, I went without a spot meter. And there wasn't enough light to use the built in meter on the DSLR I took with me. So when I came to these scenes I had to rely on my instinct and past experiences  to make an educated guess at the correct exposures. I wouldn't know if I was successful until after performing the final rinse on the film. 

Under the Magnolia Bridge in Seattle. Image taken with Mamiya RB67 + Fujifilm Acros Neopan 100 and developed in Ilford Ilfosol 3.


View of downtown Seattle from the top of the Magnolia Bridge. Image taken with Mamiya RB67 + Fujifilm Acros Neopan 100 and developed in Ilford Ilfosol 3.

I was captivated by the stark contrast the rock formations created agains the calm water. Image taken with Mamiya RB67 + Fujifilm Acros Neopan 100 and developed in Ilford Ilfosol 3.

This year I took my first ride on a sailboat. Something brought me back to the marina late one night. Here, I try to do the boats justice. Image taken with Mamiya RB67 + Fujifilm Acros Neopan 100 and developed in Ilford Ilfosol 3.

I'm Inspired by Drew Jones

It’s a month after graduation and people are beginning to ask me, “Now that you’ve finished your MBA program and you’ve had time for it to sink in, would you do it over again if you were given the choice?” I have to say I would. Now that I’ve had a little time to decompress, I’ve come to realize a lot (some of which I’ll reflect upon in an upcoming blog post), but when I think about the entire experience, I have to say that the time spent in school in the woods was a good one. I’m most grateful for two things. First, I learned a great deal about myself over the past two years and how I can put my talents and strengths to work. Secondly, I was fortunate to meet some truly amazing people.

Drew Jones is one such individual. From the first time we met during an exercise designed to teach about power and privilege to the last days of serving as co-chairs for the Diversity and Social Justice Committee for BGI, he has continued to amaze me. He’s partly responsible for some of the most fascinating books I’ve read lately, including Sophie’s World among others. When I asked him what/who inspires him, he spoke of his wife Mindy—and I must say—I definitely agree with him. Check out what he had to say about Mindy and learn more about who he is as a person below.


Who Inspires You?

I’m inspired by people who take risks and do the things they love to do.

What is the most interesting question you’ve ever been asked and how did you respond?

It’s a little clichéd now, but Peter Graf from SAP was the first to ask me “What’s on my B side?” as in what’s the stuff that doesn’t get on the front side of a business card, or what’s the stuff usually left out of a professional bio. I told him that if the economy were different, I’d be in culinary school, not business school.

What’s something most people don’t know about you?

I minored in classical studies and can translate Latin.

If you removed all constraints how would you spend your time?

I’d read all the books, learn how to play all the instruments, assemble an orchestra, and learn how to compose music.

How did you get to where you are today?

I got here with a lot of help from friends and family. I also had some great mentors and role models in my life, who helped shape the person I am today.

What are you doing to be the person you want to be?

I try to live within my personal code of ethics: 1. Listen more than you talk. 2. Give more than you take. 3. Do unto others as you would have them do unto you.

What can you do today to improve someone else’s life?

I think a lot of people crave connection – we live in a very lonely world. The easiest and most impactful way to make a difference quickly is to make eye contact and smile at someone. The second most impactful way is to say hello. The third is to listen.

What is the toughest decision you ever had to make, and what did you learn from it?

I had to make a very tough decision in my early 20s that was irreversible and would have lasting impacts on my health, relationships, and options I would have down the road, both career-wise and personal-wise. I learned that I’m a lot stronger than I thought I was, and a lot happier when I follow my own path.

What do you think is the most fascinating subject/concept in the world?

There are too many to count! I’ve always been drawn to mythology, and studying comparative mythology, comparative religion, and trying to find the great monolith that unifies us as a species. Joseph Campbell did most of my work for me before I was ever born, but the more I learn about other people, the more I find that even as disparate as we might seem, there are elements that appear over and over again, these patterns that repeat themselves through time and space and geography. Story structures, musical styles, art motifs, dance, architecture, rituals … so many other things are similar all over the world. I think this is fascinating stuff, because I think it gets to the root of what makes us human.

What makes you smile?

I am an absolute sucker for puppies, kittens, and babies.

What projects are you currently working on?

I’ve recently begun storyboarding a web comic that I’ve had rattling around in my head for years and hope to start publishing panels within a month or so. It’s called “Small Bear” and you’ll be able to find it at once it’s up. I’m also developing a set list of folk songs from the European medieval period on guitar, and once I find a place to practice that won’t annoy my neighbors, will be resuming fiddle lessons.

What question did I not ask you that you wish I had and how would you answer?

This was a tough one! I’ll give you my standard interview question: You have a stone that you can turn over three times. With each turn of the stone, you can invite a person, living or dead, to your fabulous dinner party, so long as they bring a cheesecake. You turn the stone over three times. Who do you invite? My answer is: Hilary Clinton (she brings a New York cheesecake,) Ursula K. LeGuin (she brings an Oregon blueberry cheesecake,) and Marie Curie (she ignored the cheesecake rule and brought a bottle of wine.)

How can we support you?

Check out Small Bear as soon as it goes live and tell all your friends about it!

How can we contact you?

Email: or Phone: 1.360.223.4857 Twitter: @Drew_Says

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